This site gathers a long-form musical practice concerned with how sound, structure, and attention unfold over time. The work moves across performance, recording, systems-based composition, and reflective practice, and is organized here as a set of interrelated projects rather than a single narrative.
This work has been built slowly, through repetition, attention, and return.
This site is designed to be entered at multiple points. Each section represents a different facet of the practice—historical, technical, collaborative, or process-based—and can be explored independently.
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About / Artist Overview
A concise orientation to the values, methods, and long-term concerns that shape the work.
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Misha-matics
An ongoing practice of short-form musical studies using an interval-based instrument, combining performance, systems thinking, and documentation.
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Orixás
A studio-based project engaging contemporary composition through the lens of Afro-Brazilian ritual structures, approached with care, research, and collaboration.
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Mali
Writings, recordings, and documentation related to collaborations and experiences in Mali, including the Festival in the Desert.
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Selected Projects
Earlier and parallel works—such as No Walls, Bass Genome, Dodecahedron, and selected production collaborations—that inform the current practice.
Rather than presenting a complete archive or definitive statement, this site functions as a working map—an invitation to listen, read, and return.